Classics (CLASS)

CLASS Course Offerings

CLASS-205 Cleopatra: "The Not Humble Woman

Spring. Credits: 4

In this course Cleopatra will be considered both as a political figure of importance in her own right and also as an enemy queen, representing a presumptuous challenge to the political hegemony and cultural values of the Romans. She may serve, therefore, as a lens through which one may view social and political tensions within Roman society over the nature of authority and empire. Readings include Vergil, Horace, Propertius, Lucan, Caesar, Sallust, Plutarch and the plays of Shakespeare and Shaw, where she is ambivalently portrayed as a woman who desires power or, contrariwise, as a romantic idealist who scorns temporal powers in fulfillment of private desires.

Applies to requirement(s): Humanities
B. Arnold
Notes: Taught in English.

CLASS-211 Gods and Mortals: Ancient Greek and Roman Myth

Spring. Credits: 4

We will accompany Odysseus on his return from Troy, retrieve the Golden Fleece with Jason, and race with Ovid through his witty -- and often troubling -- retelling of Greek myths from a Roman perspective. This course examinies how Greek and Roman authors and artists from very different periods used myth to explore questions about life, art and politics. Works may include: Homer, Odyssey; Apollonius of Rhodes, Argonautica; Ovid, Metamorphoses and Heroides; Greek tragedy, and ancient images representing myths.

Applies to requirement(s): Humanities
P. Debnar
Restrictions: This course is limited to First-year and Sophomore students.
Advisory: Juniors and seniors should contact the professor for permission.
Notes: Taught in English. Optional screenings of films related to ancient myth.

CLASS-212 Greek Tragedy, American Drama, and Film

Not Scheduled for This Year. Credits: 4

This course examines the critical influence of the three most important Athenian dramatists, Aeschylus, Sophocles, and Euripides, on the works of modern dramatists and filmmakers, including Eugene O'Neill, Tennessee Williams, Arthur Miller, Roman Polanski, Woody Allen, Ridley Scott, Jules Dassin, Theodoros Angelopolous, and others. Attention is given to the different concepts of tragedy underlying the genre, such as the tragedy of self-knowledge and illusion, the tragedy of desire, the tragedy of sin and redemption, and tragedy as protest against social injustice.

Applies to requirement(s): Humanities
B. Arnold

CLASS-215 Classical Political Thought

Not Scheduled for This Year. Credits: 4

Through the works of such thinkers as Aeschylus, Thucydides, Plato, Aristotle, Augustine, Aquinas, Seneca, and Pizan, this course explores the broad themes of ancient and medieval political thought. We will pay particular attention to the ways these writers characterized the relationship between the individual and community; the roles knowledge, reason, emotion, and rhetoric play in political life; the link between gender and citizenship; and the various forms political community can take.

Crosslisted as: POLIT-211
Applies to requirement(s): Social Sciences
E. Markovits
Restrictions: Course limited to sophomores, juniors and seniors

CLASS-226 Bread and Circuses: The Politics of Public Entertainment in Ancient Rome

Not Scheduled for This Year. Credits: 4

Bread and circuses (panem et circenses) was a catchphrase in the Roman empire that described the political strategy of controlling an unruly populace through free bread and public entertainment. Against a backdrop of Roman social and political institutions, this course focuses on the imperial ideology, aristocratic ethos, and cultural practices that underpinned this catchphrase, as well as questions concerning the careers of entertainers--gladiators, charioteers, and actors--who were at once celebrities and social outcasts; the rules of spectatorship at the games; the use of these games as a form of social control; and the logistics of feeding the city population.

Crosslisted as: HIST-226
Applies to requirement(s): Humanities
G. Sumi

CLASS-227 Ancient Greece

Fall. Credits: 4

This course will trace the emergence and expansion of Greek civilization in the Mediterranean between the Bronze Age and Alexander the Great. Among themes to be explored are political structures, trade, slavery, gender relations, and religion, as well as the contributions of ancient Greeks to literary genres (drama, rhetoric, historiography, philosophy) and to the visual arts. Throughout we will consider how the history of the ancient Greeks can speak to modern concerns. Sources will include works of ancient Greek literature and history (e.g., Homer, Herodotus, Thucydides, Aristophanes, Plutarch) as well as archaeological and epigraphic evidence.

Crosslisted as: HIST-227
Applies to requirement(s): Humanities
P. Debnar

CLASS-228 Ancient Rome

Not Scheduled for This Year. Credits: 4

Ancient Rome and its empire can be viewed both as a measure of human achievement and a cautionary tale of the corrupting effects of unbridled power. This course covers the history of Ancient Rome from its mythologized beginnings (753 BCE) to the rise and spread of Christianity under the Emperor Constantine (312 CE). Topics include the creation and development of Rome's republican form of government as well as its eventual transition to monarchy, the causes and consequences of the acquisition of empire, the role of the army in administering the provinces and defending the frontiers, the image of emperor, the economy, and religion.

Crosslisted as: HIST-228
Applies to requirement(s): Humanities
G. Sumi

CLASS-229 The Tyrant and Gladiator: Bad Roman Emperors from Caligula to Commodus

Not Scheduled for This Year. Credits: 4

Caligula was a god (or so he thought); Nero fiddled while Rome burned; Commodus dressed as a gladiator and fought man and beast in the arena.The history of the Roman empire is replete with scandalous stories about eccentric and even insane emperors whose reigns raise questions about the nature of the emperor's power and his role in administering the empire. In this course a close study of Roman imperial biography and historiography--the source of so many of these stories of bad emperors--will be weighed against documentary and archaeological evidence in order to reveal the dynamic between the emperor, his court, and his subjects that was fundamental to the political culture of imperial Rome.

Crosslisted as: HIST-229
Applies to requirement(s): Humanities
G. Sumi

CLASS-230 The City of Rome From Romulus to Constantine

Fall. Credits: 4

A detailed survey of the archaeology of the city of Rome from its origin in the early Iron Age to the beginning of the fourth century CE. The principal monuments and architectural development of the ancient city will be discussed against a broader cultural and historical background, with an emphasis on the powerful families and individuals responsible for the shaping of the urban landscape, and the specific social and political circumstances that gave the monuments meaning.

Crosslisted as: ARTH-290CR
Applies to requirement(s): Humanities
M. Landon
Restrictions: Course limited to sophomores, juniors and seniors

CLASS-231 The City of Athens from Theseus to Alaric

Not Scheduled for This Year. Credits: 4

A detailed survey of the principal surviving monuments and overall architectural development of the city of Athens from its origins in the Bronze Age to the end of the 4th century C. E. The archaeological evidence will be discussed against a broader cultural and historical background, with an emphasis on the specific people and events that helped to shape the city and the general social and political circumstances that gave the monuments meaning.

Crosslisted as: ARTH-290TH
Applies to requirement(s): Humanities
M. Landon

CLASS-232 War and Imperialism in the Ancient World

Spring. Credits: 4

Ancient Greeks and Romans viewed warfare as an abiding part of the human condition. The literature and artwork of the ancient world are filled with images of the two faces of war: it conferred great glory on the combatants but at the cost of tremendous horror and suffering. In this course we will examine warfare from archaic Greece and the rise of the city-state (ca. 800 B.C.E.) to the fall of the Roman Empire in the west (ca. 476 C.E.). We will consider such topics as the culture and ethics of war and imperialism, logistics and strategies of warfare, as well as armor, weaponry and battlefield tactics.

Crosslisted as: HIST-216
Applies to requirement(s): Humanities
G. Sumi

CLASS-295 Independent Study

Fall and Spring. Credits: 1 - 4

The department
Instructor permission required.

CLASS-395 Independent Study

Fall and Spring. Credits: 1 - 8

The department
Instructor permission required.

Related Courses

Art History
ARTH-216Empire: The Visual World of Ancient Rome4
ARTH-290APIssues in Art History: 'Ancient Painting and Mosaic'4
ARTH-290CMIssues in Art History: 'Classical Myth in Ancient Art'4
ARTH-290CRIssues in Art History: 'The City of Rome From Romulus to Constantine'4
ARTH-290PMIssues in Art History: 'Pompeii'4
ARTH-290THIssues in Art History: 'The City of Athens from Theseus to Alaric'4
ARTH-310CASeminar in Ancient Art: 'Collecting Global Antiquity'4
ARTH-310LMSeminar in Ancient Art: 'Love and Metamorphosis'4
ARTH-310RLSeminar in Ancient Art: 'Roman Luxury'4
Classics
CLASS-205Cleopatra: "The Not Humble Woman4
CLASS-211Gods and Mortals: Ancient Greek and Roman Myth4
CLASS-212Greek Tragedy, American Drama, and Film4
CLASS-215Classical Political Thought4
CLASS-226Bread and Circuses: The Politics of Public Entertainment in Ancient Rome4
CLASS-227Ancient Greece4
CLASS-228Ancient Rome4
CLASS-229The Tyrant and Gladiator: Bad Roman Emperors from Caligula to Commodus4
CLASS-230The City of Rome From Romulus to Constantine4
CLASS-231The City of Athens from Theseus to Alaric4
CLASS-232War and Imperialism in the Ancient World4
CLASS-295Independent Study1-4
CLASS-395Independent Study1-8
Greek
GREEK-101Elementary Greek: Homer's Iliad4
GREEK-102Elementary Greek: Homer's Iliad4
GREEK-222Classical Greek Prose and Poetry4
GREEK-250Intermediate Greek Tutorial2-4
GREEK-322Classical Greek Prose and Poetry4
GREEK-350Advanced Greek Tutorial2-4
History
HIST-216War and Imperialism in the Ancient World4
HIST-226Bread and Circuses: The Politics of Public Entertainment in Ancient Rome4
HIST-227Ancient Greece4
HIST-228Ancient Rome4
HIST-229The Tyrant and the Gladiator: Bad Roman Emperors from Caligula to Commodus4
Latin
LATIN-101Elementary Latin I4
LATIN-102Elementary Latin II4
LATIN-201Intermediate Latin I4
LATIN-207The Slender Muse4
LATIN-210Ovid: Metamorphoses4
LATIN-212Roma Ludens: Comedy and Satire in Ancient Rome4
LATIN-213Myth, Memory, and History: Writing the Past in the Roman Republic4
LATIN-250Intermediate Latin Tutorial2-4
LATIN-302Cicero and the Enemies of the Roman Republic4
LATIN-307The Slender Muse4
LATIN-308Lucretius4
LATIN-309Vergil: Aeneid4
LATIN-310Ovid: Metamorphoses4
LATIN-312Roma Ludens: Comedy and Satire in Ancient Rome4
LATIN-313Myth, Memory, and History: Writing the Past in the Roman Republic4
LATIN-350Advanced Latin Tutorial2-4
Philosophy
PHIL-201Philosophical Foundations of Western Thought: The Greek Period4
Politics
POLIT-211Classical Political Thought4